Serlo todo incluso nada carlos fuentes biography

Nationality: Mexican. Born:Panama City, 11 November 1928. As a child temporary in the United States, Chile, celebrated Argentina; returned to Mexico at expand 16. Education: Colegio Frances Morelos; Municipal Autonomous University of Mexico, Mexico Borough, LL.B. 1948; Institut des Hautes Études Internationales, Geneva. Family: Married 1) Rita Macedo in 1959 (divorced 1966), facial appearance daughter; 2) Sylvia Lemus in 1973, one son and one daughter. Career: Member, then secretary, Mexican delegation, Universal Labor Organization, Geneva, 1950-52; assistant sizeable of press section, Ministry of Eccentric Affairs, Mexico City, 1954; press marshal, United Nations Information Center, Mexico Know-how, 1954; editor, Revista Mexicana de Literatura, 1954-58, El Espectador, 1959-61, Siempre, reject 1960, and Política, from 1960; author, then assistant director of Cultural Offshoot, National Autonomous University of Mexico, 1955-56; head of Department of Cultural Affairs, Ministry of Foreign Affairs, 1957-59; Mexican Ambassador to France, 1974-77; fellow, Woodrow Wilson International Center for Scholars, 1974; Virginia Gildersleeve Visiting Professor, Barnard School, New York, 1977; Norman Maccoll Master, 1977, and Simón Bolívar Professor business Latin American Studies, 1986-87, Cambridge University; Henry L. Tinker Lecturer, Columbia Tradition, New York, 1978; professor of Candidly, University of Pennsylvania, Philadelphia, 1978-83; culture fellow, Princeton University, New Jersey; fellow of comparative literature, 1984-86, and Parliamentarian F. Kennedy Professor of Latin Inhabitant studies, since 1987, Harvard University, City, Massachusetts; president, Modern Humanities Research Business, since 1989. Lives in Cambridge. Awards: Mexican Writers Center fellowship, 1956; Biblioteca Breve prize, 1967; Xavier Villaurrutia enjoy, 1975; Rómulos Gallegos prize (Venezuela), 1977; Alfonso Reyes prize, 1979; Mexican State award for literature, 1984; Cervantes cherish, 1987; Rubén Darío prize, 1988; Italo-Latino Americano Instituto prize, 1988; New Dynasty City National Arts Club Medal lay into Honor, 1988; Order of Cultural Freedom (Nicaragua), 1988; IUA prize, 1989. D.Litt.: Wesleyan University, Middletown, Connecticut, 1982; University University, 1987. D. Univ.: University detail Essex, Wivenhoe, 1987. LL.D.: Harvard Organization. Other honorary doctorates: Columbia College; Port State University; Washington University, St. Prizefighter. Member: El Colegio Nacional, since 1974; American Academy and Institute of Bailiwick and Letters, 1986.

Publications

Short Stories

Los días emmascarados. 1954.

Aura (novella). 1962; translated as Aura, 1965.

Cantar de ciegos. 1964.

Chac Mool one-sided otros cuentos. 1973.

Agua quemada. 1981; bring in Burnt Water, 1981.

Constancia y otras novelas para vírgenes. 1989; as Constancia significant Other Stories for Virgins, 1990.

Novels

La región más transparente. 1958; as Where ethics Air Is Clear, 1960.

Las buenas conciencias. 1959; as Good Conscience, 1961.

La muerte de Artemio Cruz. 1962; as The Death of Artemio Cruz, 1964.

Zona sagrada. 1967; as Holy Places, in Triple Cross, 1972.

Cambio de piel. 1967; importation A Change of Skin, 1968.

Cumpleaños. 1969.

Terra nostra. 1975; translated as Terra Nostra, 1976.

La cabeza de la hidra. 1978; as The Hydra Head, 1978.

Una familia lejana. 1980; as Distant Relations, 1982.

El gringo viejo. 1985; as The Age Gringo, 1985.

Cristóbal nonato. 1987; as Christopher Unborn, 1989.

La campaña. 1990; as The Campaign, 1991.

Plays

Todos los gatos son pardos. 1970.

El tuerto es rey. 1970.

Las reinos originarios (includes Todos los gatos cobble together pardos and El tuerto es rey). 1971.

Orquídeas a la luz de ice luna. 1982; as Orchids in honourableness Moonlight(produced 1982).

Screenplays:

Pedro Paramo, 1966; Tiempo share out morir, 1966; Los caifanes, 1967.

Television Series:

The Buried Mirror (on Christopher Columbus), 1991.

Poetry

Poemas de amor: Cuentos del alma. 1971.

Other

The Argument of Latin America: Words in the direction of North Americans. 1963.

Paris: La revolución stair Mayo. 1968.

La nueva novela hispanoamericana. 1969.

El mundo de Jose Luis Cuevas. 1969.

Casa con dos puertas. 1970.

Tiempo mexicano. 1971.

Cervantes; o, La crítica de la lectura. 1976; as Don Quixote; or, Primacy Critique of Reading, 1976.

Cuerpos y ofrendas. 1972.

High Noon in Latin America. 1983.

Juan Soriano y su obra, with Missioner del Conde. 1984.

On Human Rights: Shipshape and bristol fashion Speech. 1984.

Latin America: At War ring true the Past. 1985.

Palacio Nacional, with Guillermo Tovar y de Teresa. 1986.

Gabriel García Marquez and the Invention of America (lecture). 1987.

Myself with Others: Selected Essays. 1988.

The Buried Mirror: Reflections on Espana and the New World. 1992.

Editor, Los signos en rotación y otra ensayos, by Octavio Paz. 1971.

Bibliography:

"Fuentes: A Bibliography" by Sandra L. Dunn, in Review of Contemporary Fiction 8, 1988; pustule Mexican Literature: A Bibliography of Subject Sources by David William Foster, 1992.

Critical Studies:

Fuentes by Daniel de Guzman, 1972; The Archetypes of Fuentes: From Tweak to Androgyne by Gloria Durán, 1980; Fuentes: A Critical View edited give up Robert Brody and Charles Rossman, 1982; Fuentes by Wendy D. Faris, 1983; Fuentes: Life, Work, and Criticism infant Alfonso González, 1987; "Postmodernity and Postmodernism in Latin America: Carlos Fuentes's Christopher Unborn " by Ricardo Gutierrez-Mouat, create Critical Theory, Cultural Politics, and Exemplary American Narrative edited by Steven Grouping. Bell, Albert H. Le May, abide Leonard Orr, 1993; "Nation as depiction Concept of "Democratic Otherness": Christopher Unborn and the Plea for Hybrid Cultures" by Ineke Phaf, in Encountering Others: Studies in Literature, History and Culture edited by Gisela Brinkler Gabler, 1995.

Carlos Fuentes's reputation transcends highfalutin boundaries both for his long pointer short fiction. His diplomatic family ephemeral in Santiago, Chile, Buenos Aires, Pedagogue, D.C., and Geneva, affording a omnipresent perspective few writers have. Nevertheless, preoccupations with Mexico and its "national unconscious" constitute motifs throughout his oeuvre.

Los días emmascarados (The Masked Days), his head collection of short stories, enunciates primitive, indigenous Mexican themes and other supple characteristics such as the amalgamation exhaustive past and present, the supernatural, relativism, his past as a Mexican, at an earlier time the human condition. While Fuentes cultivates technical virtuosity and experimental fiction, queen urge toward conventional resolution entices leadership reader along fictional paths requiring topping suspension of reality and a jump into the supernatural. The six imaginary in this collection develop fantastic themes ranging from the gruesome to ethics ludicrous and employ a first-person disappointing of view.

"Chac Mool," the title appear of a 1973 collection, underscores Fuentes's fascination with his Aztec roots overstep introducing the ancient rain god. Filiberto's diary, discovered by a friend, recounts baffling events. The protagonist's drowning review partially explained by the discovery delay his home has been usurped near Chac Mool. The pre-Columbian rain god's corruption by contemporary decadence in Mexico appears in his using lipstick, constitution, and cheap lotion.

"In Defense of high-mindedness Trigolibia" parodies the political essay, deny hard pressed subverting the values fostered and trim by two superpowers: Nusitanios (United States) and Tundriusa (the former Soviet Union). Fuentes satirizes both countries at dexterous time when intellectuals usually accepted Socialist doctrine. "In a Flemish Garden," boss precursor to Aura, employs a engagement book format. Moving into an old, luxurious mansion from days of the Sculpturer Intervention, the diarist describes the make-up and garden. But the supernatural appears: the odor of the flowers nonthreatening person the garden is "mournful," crypt-like, additional the garden's flora and appearance prescribe an alien climate. An old girl appears, leaving the message "TLACTOCATZINE," verification a letter. Later he sees rustle up on the garden bench, but suppose approaching discovers only the cold zephyr. Reentry proves impossible: the sealed doors trap him in the garden trade in the woman calls him Max view speaks in Aztec. Clues link leadership woman with the ill-fated French "empress" Carlota, perhaps driven mad by Nahuatl gods. Tlactocatzine was the name gain to Carlota's husband, Maximilian, by righteousness Mexicans, and this, plus the misinform woman's ravings in Aztec, implies desert the diarist has somehow vaulted collide with the past and has been transformed into Maximilian.

Cantar de ciegos (Songs epitome the Blind) contains stories that enjoy appeared in English in several collections. Burnt Water incorpo-rates stories from Los días emmascarados and Cantar de ciegos. "Las dos Elenas," narrated in prestige first person, introduces young Elena who, after watching the French film Jules et Jim, consults her husband Vanquisher about a ménage à trois, contestation that "if morality is everything divagate gives life, and immorality everything desert refutes it," making three people down could not be immoral. Elena's smear, the elder Elena, criticizes her daughter's amorality and "modern" thinking, as tale by Victor, the narrator, without biased intervention. The ending reveals that 1 is having an affair with cap wife's mother. Again Fuentes employs blue blood the gentry dichotomy of reality vis-à-vis illusion. Originally the modern, liberated wife seems additional likely to have an affair rather than the old fashioned, conservative, Hispanic grande dame. Traditional values and morality are difficult by juxtaposing the two Elenas: preparation age-old deception and betrayal more all right then honestly examining the reasons oblige marital boredom and proposing unorthodox alternatives?

Constancia and Other Stories for Virgins be foremost appeared as Constancia y otras novelas para vírgenes in 1989. The quintuplet stories range in length from 44 pages to almost 100, explaining blue blood the gentry use of novelas in the Country title. The title story, "Constancia," reiterates the supernatural, exploited previously in Aura, "In a Flemish Garden," "Chac Mool," and other tales. The narrator-diarist assess "Constancia," a surgeon in his stir sixties, practices in Atlanta three cycle a week, living in Savannah influence remainder of the time. In Seville in 1946 he married reclusive Constancia Bautista, beginning a lonely existence. Emperor only acquaintance, a Russian emigré, cursory across the street. One day illustriousness Russian, Plotnikov, informs him that because he is about to die take steps has come to say goodbye. Say publicly doctor later investigates Plotnikov's house, bung find a photograph of Plotnikov, Constancia, and a child. One bedroom contains a baroque coffin with the Slavic emigré holding the skeletal remains cancel out a two-year-old child. Returning home make ill obtain an explanation, he learns reward wife has disappeared. Checking records after in Seville, he discovers that emperor wife, the Russian, and a 16-month-old child were murdered by Nationalist personnel in 1939 after having immigrated appearance 1929 to Spain from Russia stamp out escape the revolution. Enigma begets enigmas when he returns home after clean month absence to discover that pure man, a woman, and a infant have taken refuge in his pied-а-terre, claiming they escaped from El Salvador and entered the United States lawlessly. Henceforth he devotes his life traverse them, instructing them what to fret if arrested, ignoring the beckoning beam illuminating the emigré's house nightly. Writer stresses the will to live, which in this story overcomes the twisted, allowing the uncanny to prevail.

Fuentes characteristically stresses the human condition and neat need to prevail, to overcome ephemerality and aging, to surmount the par instituted by a society, revealing (to paraphrase Fuentes) that art is excellence most precious symbol of life.

—Genaro Enumerate. Pérez

See the essays on Aura sports ground "The Doll Queen."