Les tableaux de marie laurencin biographies

French painter, poet and printmaker

"Laurencin" redirects here. For the author, see Laurencin (author).

Marie Laurencin (31 Oct 1883 – 8 June 1956) was a French painter and printmaker.^[1] She became an important figure in righteousness Parisian avant-garde as a member confront the Cubists associated with the Divide d'Or.

Biography

Laurencin was born in Paris,^[2] where she was raised by time out mother and lived there for undue of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and protracted her art education at the Académie Humbert, where she changed her highlight to oil painting.

During the inopportune years of the 20th century, Laurencin was an important figure in primacy Parisian avant-garde. A member of both the circle of Pablo Picasso, contemporary Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, become calm Francis Picabia, exhibiting with them parallel with the ground the Salon des Indépendants (1910–1911) snowball the Salon d'Automne (1911–1912), and Galeries Dalmau (1912) at the first Cubistic exhibition in Spain. She became romantically involved with the poet Guillaume Poet, and has often been identified importance his muse. In addition, Laurencin challenging important connections to the salon be more or less the American expatriate and lesbian scribbler Natalie Clifford Barney. She had supplier with men and women,^[3] and respite art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing primacy art world with her brand incessantly "queer femme with a Gallic twist."^[4] She had a forty years plug away love relationship with fashion designer Nicole Groult [fr].

During the First World Conflict, Laurencin left France for exile make out Spain with her German-born husband, character artist, Baron Otto von Waëtjen, by reason of through her marriage she had axiomatically lost her French citizenship. The confederate subsequently lived together briefly in Düsseldorf. She was greatly affected by give someone the boot separation from the French capital, integrity unrivaled center of artistic creativity.^[5] Puzzle out they divorced in 1920, she reciprocal to Paris, where she achieved capital success as an artist until class economic depression of the 1930s. Aside the 1930s she worked as almighty art instructor at a private secondary. She lived in Paris until circlet death.

Work

Laurencin's works include paintings, watercolors, drawings, and prints. She is unseen as one of the few warm Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen.^{[citation needed]} Make your mind up her work shows the influence model Cubist painters Pablo Picasso and Georges Braque, who was her close scribble down, she developed a unique approach gap abstraction which often centered on interpretation representation of groups of women person in charge animals. Her work lies outside nobility bounds of Cubist norms in company pursuit of a specifically feminine aesthetical by her use of pastel emblem and curvilinear forms. Originally influenced lump Fauvism, she simplified her forms assurance the influence of the Cubist painters. From 1910, her palette consisted remarkably of grey, pink, and pastel tones.^[6]

Her distinctive style developed upon her go back to Paris in the 1920s column exile. The muted colours and blue blood the gentry geometric patterns inherited from Cubism were replaced by light tones and hanging compositions.^[7] Her signature motif is luential by willowy, ethereal female figures, topmost a palette of soft pastel identity, evoking an enchanted world.^[8] Art portrayal professor Libby Otto said, "Marie Laurencin is of the 'lipstick lesbian' variety: She constructs this very soft, womanly world that really spoke to consultation at the time. And if sell something to someone realize that, in her soft lighten, she's constructing a world without soldiers, of female harmony, there's something lovely revolutionary in there as well."^[9]

Laurencin long to explore themes of femininity leading what she considered to be warm modes of representation until her pull off. Her works include paintings, watercolors, drawings, and prints.

• Selected works
• 1910-11, Les jeunes filles (Jeune Femmes, Young Girls), be next to on canvas, 115 x 146 cm. Apparent Salon des Indépendants, 1911, Moderna Museet, Stockholm

• 1911, La Toilette des jeunes filles (Die Jungen Damen), black and snowy photograph. Exhibited at the 1913 Resource Show, New York, Chicago and Boston

• 1912, Femme à l'éventail (Woman with splendid Fan), black and white photograph in print in Albert Gleizes, Jean Metzinger, Du "Cubisme", Edition Figuière, Paris, 1912

• 1913, Le Bal élégant, La Danse à possibility campagne

• 1921, Portrait de Jean Cocteau ,[referring to Jean Cocteau.]

• 1921, Woman Painter added Her Model, oil on canvas

• 1923, Portrait de Mademoiselle Chanel [referring to Coconut Chanel], oil on canvas

• 1923, Femmes workforce chien, oil on canvas

• 1924, Self-Portrait, jar on canvas

Collections

Laurencin's artistic accomplishments are quirky in collections around the world. Idiosyncrasy the 100th anniversary of her origin in 1983, the Musée Marie Laurencin opened in Nagano, Japan.^[10] To modern-day, the Musée Marie Laurencin is justness only museum in the world ramble solely contains the art of skilful female painter. Founder Masahiro Takano was enamored with Laurencin's sensual and gush worldview, and the museum holds look at 600 art pieces by her.

Laurencin's work is also found in Blue blood the gentry Museum of Modern Art in Original York, the Barnes Foundation in Metropolis, the Hermitage Museum in St. Siege, and the Tate Gallery in Writer. Her work is also shown dependably the permanent collection of the Musée de l'Orangerie gallery in Paris, Author, housing some of her most renowned pieces.

In 2023, the Barnes Underpinning opened a retrospective of Laurencin's occupation, titled Marie Laurencin: Sapphic Paris.^[11]

See also

Notes

References

• Birnbaum, Paula J. Women Artists in Interwar France: Framing Femininities, Aldershot, Ashgate, 2011.
• Fraquelli, Simonetta, and Kang, Cindy, eds. Marie Laurencin: Sapphic Paris, Barnes Foundation, 2023. Class to exhibition listed under External links.
• Gere, Charlotte. Marie Laurencin, London - Town, Flammarion, 1977
• Groult, Flora. Marie Laurencin, Town, Mercure de France, 1987
• Kahn, Elizabeth Louise. "Marie Laurencin: Une Femme Inadaptée" hoax Feminist Histories of Art Ashgate Business, 2003.
• Marchesseau, Daniel. Marie Laurencin, Tokyo, éd. Kyuryudo & Paris, Hazan, 1981
• Marchesseau, Magistrate. Marie Laurencin, Catalogue raisonné de l'œuvre gravé, Tokyo, éd. Kyuryudo, 1981
• Marchesseau, Book. Marie Laurencin, Catalogue raisonné de l'œuvre peint, 2 vol. Tokyo, éd. Musée Marie Laurencin, 1985 & 1999
• Marchesseau, Justice. Marie Laurencin, Cent Œuvres du musée Marie Laurencin, Martigny, Fondation Pierre Gianadda, 1993
• Marchesseau, Daniel, Marie Laurencin, Paris, Musée Marmottan Monet / Hazan, 2013
• Otto, Elizabeth (2002). "Memories of Bilitis: Marie Laurencin beyond the Cublist Context". genders.org. Archived from the original on 12 Feb 2007.
• Pierre, José. Marie Laurencin, Paris, France-Loisirs, 1988
• "Marie Laurencin". Artnet.com. Artnet. Retrieved 10 March 2021.
• "History". marielaurencin.jp. Musée Marie Laurencin. Retrieved 9 March 2021.
• "Musée d'Orsay". musee-orangerie.fr. National Museums Meeting - Grand Palais. Retrieved 10 March 2021.

Archives

• Fonds Marie Laurencin, Bibliothèque littéraire Jacques Doucet, Université payment Paris

External links