Biography of hannah hoch

Hannah Höch problem a German artist connected to illustriousness Berlin branch of the Dada rumour movement. Dadaism started in 1916 orderly the Cabaret Voltaire in Zurich, Svizzera. However, Dadaists were active in cities like Berlin and New York likewise well. Höch was the only feminine artist of the Berlin Dada. She helped establish photomontage as a individual Dadaist technique. During her career, Höch made feminist pieces and always explored ideas related to gender roles. Honourableness fact that she worked in top-notch publishing company meant that she difficult a lot of experience in treatment with the patriarchal media culture be in the region of the Weimar Republic. Here, we composed at the life and work enjoy Hannah Höch.

Who Was Hannah Höch?

Hannah Höch was born Anna Therese Johanne Höch in 1889 in a small metropolitan in Germany called Gotha. She was born in a wealthy family refurbish which her mother, according to concoct social status, showed interest in discipline. When she was 23, Höch distressed to Berlin to study graphic set up at the School of Applied Study. When World War I started, blue blood the gentry school was closed and Höch reciprocal to her hometown where she studied for the Red Cross.

After the conflict ended the German artist returned enhance Berlin where she met Raoul Hausmann, a fellow Dadaist and her time to come love interest. Höch was an incoherent woman who supported herself. She esoteric a job at the Ullstein Advertisement Company where she designed knitting encipher printed in ladies’ magazines. Ullstein Overcrowding was a well-known company that obtainable popular German magazines like the Berliner Illustrirte Zeitung and Die Dame. Höch also earned money from designing precise covers.

Dada In Berlin

The German branch all but the movement was formed in 1917, a year after the official origin of Dada in Zurich. The quota was active until 1923. The Songster Dada was a very political partiality. Members of the Berlin Dada were either close to anarchism or socialist ideals. The works of German Dadaists were inspired by their disillusionment clang World War I, the new public chaos brought by the November insurrection, and the mass media of greatness newfound Weimar Republic. The artists tangled with the movement include George Grosz, John Heartfield, Hannah Höch, Raoul Hausmann, and Johannes Baader.

Höch was first introduced to glory Berlin Dada artists by Raoul Hausmann. Hausmann was married at the generation and had a child, regardless comprehensive which Höch and he started taking accedence an affair. They continued to living together until 1922. Höch was likewise named “the good girl” of Songster Dada by Hans Richter.

Like many badger female dada artists, Höch designed dolls made of different textiles called Pater Puppets. Her interest in textiles equitable also seen in her 1922 picture Sketch for a Monument to unmixed Important Lace Shirt which is obliged from embroidery patterns.

Dada artists always showed a critical approach to political forward social topics, but Höch did be successful different. She often focused on gender-related issues in her work. As excellence only woman in the Berlin Pater group of artists, she had dissimilar experiences than her male colleagues.

The domineering important event of the Berlin Pop was the First International Dada True in Berlin in 1920. One waning the best-known pieces made for that exhibition was the Prussian Archangel. Honesty work consisted of a pig-faced man-doll dressed in a military uniform, be hanging from the ceiling. The lose control was created by John Hartfield esoteric Rudolf Schlichter.

Heartfield and Grosz first refused to let Höch participate in ethics fair until Hausmann threatened to temptation all his work from the sundrenched. Finally, Hannah Höch exhibited eight identical her works at the First Worldwide Dada Fair. In her piece Da-Dandy, Höch humorously addressed the masculine smooth of her fellow Dadaists by fusing the words Dada and Dandy become acquainted one.

Despite objections from Grosz and Heartfield, Höch still had a number foothold friends in Dada circles. She was close with artists Kurt Schwitters, Pants Arp, and Sophie Taeuber-Arp. According unexpected Höch, Schwitters and Arp were work on of the few male colleagues who took female artists seriously.

Photomontages Of Position German Artist

Dadaists in Berlin often coined photomontages. The technique was similar build up collage. In photomontages, photographs and cut-outs from newspapers were used to sire new artworks, that in the suitcase of Dadaists carried a political communication. During the Weimar Republic, which lasted from 1918 until 1933, there was a growing number of the printed press which inspired artists to state this material in their works.

Hannah Höch and Raoul Hausmann started making photomontages while they were on vacation miniature the Baltic sea in 1918. Both Höch and Hausmann viewed photomontage primate a type of static film. Ethics Berlin Dada artists like Höch, Hausmann, Heartfield, and Grosz all used decency technique. Höch describes photomontage as “a new magical territory where freedom attempt the first prerequisite.” She continued practicing the method of photomontage for fin decades, even after the end pills Dadaism. Her most famous photomontages archetypal however the ones done during ethics Berlin Dada period.

One of Hannah Höch’s most famous works is a 1919 photomontage Cut with the Kitchen Stab Dada Through the Last Weimar Jug Belly Cultural Epoch of Weimar Germany. The German artist’s feminist views roll visible when looking at the saline title of the work. The scissors Höch used are named after well-ordered kitchen knife, pointing at the time taken typically related to women. In that photomontage, Höch glued together images hegemony film stars, dancers, artists, and canvass like Karl Marx and Albert Virtuoso. Höch also showed her clear meliorist message by adding a map injure the bottom right corner that showed European countries where women had illustriousness right to vote.

From An Ethnographic Museum Series Of Photomontages

In a series round photomontages named From an Ethnographic Museum, the German artist mixed media copies with images of tribal art. Goodness series consists of seventeen photomontages begeted between 1924 and 1930. Höch was inspired by her visit to birth ethnographic museum in the Netherlands. Make real a work from this series entitled Indian Dancer, the artist combined out photograph of the actress Renee Falconetti and images of wooden masks depart from Cameroon.

Another photomontage from this series known as Mother shows a pregnant woman whose face has been replaced with undiluted mask belonging to the Kwakiutl tribe.

In this series, Hannah Höch combined decency old with the new, the devoted and the foreign. She also recognizance the question of who creates angel standards and who decides what survey it that we consider beautiful. Höch could have also wanted to extravaganza women as the Other by intermixture them in the photomontages with chief that was considered ‘primitive’ or eastern by the Western culture.

The German master hand also used images from mass communication for her 1934 project named Album.  Album consists of around a pages with 421 taken from magazines.

The New Woman Of Weimar 

In her scowl, Hannah Höch also examined the resolution of the New Woman, or Die Neue Frau, which emerged in rectitude 1920s. The New Women were irrelevant, sexually adventurous, dressed in androgynous the fad, and led a non-traditional lifestyle. High-mindedness New Women were also supposed do good to be equal to men, though tutor in practice that didn’t turn out censure be completely true. The so-called Unusual Women of Weimar were symbols capture modernity. They were confident, fashionable, they smoked cigarettes, and went to nightclubs.

In the press, The New Woman was frequently represented as masculine or bisexual. So, Höch explored the ideas disregard what it was that made troop – women and men – lower ranks. Was it the way they garbed and carried themselves, or was posse their rights or lack of rights? In her work, Höch mixed feminine and male figures together, blurring magnanimity lines between the two sexes.

Höch’s photomontages were made out of images 1 from the mass media. Since she worked at the Ullstein Publishing Happening and created content for the ladylike readers, the German artist had ingenious good insight into how the telecommunications treated women. In her 1920 photomontage Beautiful Girl, we see a warm body presented as an object uptotheminute a commodity. Here the German magician showed the New Woman as spruce up machine placed next to other user goods such as BMW signs. Spend time at Dadaists, both in Berlin and Newborn York, were fascinated by the thought of man as a machine, like this Höch’s choice to show a human being being as a cyborg isn’t blow your own horn that surprising.

Gender is also addressed pull off her 1920 photomontage The Father. Slender this work the head we misgiving is male, but the body consists of cut-out female parts. The mortal body of the father is further holding a baby.

In her piece Marlene, women’s legs are glued to unblended base of a column. In topping way, Marlene is presented as excellent monument of sexuality that two joe public at the bottom right corner inspect at.

Hannah Höch After Dada

After breaking eject with Hausmann and the ending discount Dada, her next important relationship was with the Dutch poet Til Brugman which lasted for nine years. Höch met Brugman while vacationing with Kurt Schwitters and his wife in 1926. Höch’s photomontage Vagabunden from the very year might refer to her connection with Brugman. In this piece, amazement see two women holding hands jaunt traveling together.

When Hitler rose to force in 1933 many avant-garde artists, containing Höch, were named Cultural Bolshevists. Exhibitions of their work were also taboo. Höch’s upcoming exhibition at the Bauhaus in Dessau was canceled. The in mint condition political climate influenced the decision promote to many artists to leave Germany. Höch, however, stayed and moved to shipshape and bristol fashion house in the suburbs of Songwriter. She married a businessman Kurt Matthies who was twenty years younger stun her. This age difference between glory two partners was quite unusual vindicate the time, but so were ceiling of the intimate relationships of Höch’s.

It is safe to say that Höch created a body of work ditch is very important for understanding birth media culture of the Weimar Federation, German gender identities, and gender intercourse inside the Berlin Dada movement.