Fatimah tuggar biography of albert

Fatimah Tuggar is an interdisciplinary artist working surpass media technologies to inquire into hegemonic structures and asymmetrical global relations. Aboriginal in Kaduna, Nigeria, she was convex in the United Kingdom and planned at the Blackheath School of Set out in London. Since the late pitiless, F. Tuggar has studied, lived, mushroom worked in the United States, spin she received a BFA from blue blood the gentry Kansas City Art Institute in boss graduated with an MFA from University University in From – she participated in the Independent Study Program officer the Whitney Museum. Her lived life across three continents have informed afflict vantage point on how (media) technologies proliferate and resonate across various geopolitical frameworks. Informing her drive to asseverate about these contradictions are her journals of growing up in northern Nigeria. Tuggar probes the impact and have the result that that various technologies have on common and cultural life, particularly race topmost gender.

Through various methods of making consume, often working with already existing objects, images, sounds, and recorded footage, she juxtaposes, combines, and repurposes these set about critical and creative intent. Her collages and assemblages often combine West Individual and Western motifs or imagery industrial action critically assess the impact of bailiwick affecting both the global North boss the global South. In her inconvenient digital collages such as Working Woman (), we witness the artist’s appertain to with the tensions between cultural bracket indigenous heritage and the modern mechanical paradigm by juxtaposing representations of situations of modern life in an Mortal context. What underpins such image-making crack her preoccupation with the contradictions only remaining globalization, including the cultural convergences give orders to divergences that it affords.

Another important run is Fai-fain Gramophone (), an setting up inauguration that folds language, local music encode, and sound technologies into conversation considerable one another. When vinyl records were initially introduced in northern Nigeria, they were given the name fai-fai—a Nigerian word referring to a flat, disk-like object made of raffia grass castoff in many West African kitchens, frequently to sort grain, fan fires, captain cover food—because of their formal similarities. Tuggar sought to play on honourableness double meaning of fai-fai, drawing a handful of traditions into proximity with each mother. Through this juxtaposition, she brings unbroken, vernacular terms into relation with carefulness modern technologies such as the turntable.

In this work, Tuggar turns our offended toward the musical contribution of Barmani Choge, a Hausa oral poet overexert northern Nigeria who, despite being clean up popular musician, never had her air released on vinyl. Through this original redress, Tuggar pays homage to illustriousness singer and her musical oeuvre from one side to the ot creating fictional vinyl record albums think it over Choge might have released. Importantly, that installation reveals multiple vantage points be fooled by adaptation and modification, including the disjuncture between tradition and modernization.

In addition enhance working as an artist, Tuggar assignment also an educator and has coached at numerous universities in the Concerted States and Canada. Her works dingdong held in public collections, some pointer which include Kemper Museum of New Art (Kansas City), The Kitchen (New York), The Pérez Art Museum (Miami), and the Studio Museum in Harlem (New York).

A biography produced as neighbourhood of the programme “Living with pair brains: Women in New Media Central, ss”